CASE STUDY: READINGS OF CARL PHILIPP EMANUEL BACH'S WÜRTTEMBERG SONATA NO. 3

Bojana Šumanski

DOI Number
https://doi.org/10.22190/FUVAM1801017S
First page
017
Last page
023

Abstract


This paper will attempt to question the reliability of such primary elements of a note, which seem fixated−it's pitch and duration. By analyzing the composer's musical language and his way of utilising the notation system we will attempt to bring to light the layer of the text that remains unwritten in the score. We will also try to clarify the extent to which the decisions of a performer are spontaneous or arbitrary.


Keywords

historically informed performance, music notation, rhythm, ornamentation, Empfindsamkeit stil

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References


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Bach, C. P. E., Wurttemberg Sonata No.3 [partitur], Nagels Musik Verlag, Leipzig, ca. 1930. http://imslp.info/files/imglnks/usimg/f/f2/IMSLP03752-CPEBachWürttembergSonatas.pdf, acc. 8. 1. 2012 at 1:10 PM

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DOI: https://doi.org/10.22190/FUVAM1801017S

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