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Issue |
Title |
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Vol. 2, No 1, 2016 |
A FULL BODY ARTIST – THE OPERA SINGER: A CONTEMPORARY PARADIGM OF TRAINING, VISION AND DEVELOPMENT IN THE ART OF OPERA |
Abstract
PDF
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Nikola Matišić |
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Vol. 3, No 1, 2017 |
A SEMIOLOGICAL ANALYSIS OF FILMS |
Abstract
PDF
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Neven Obradović, Marija Vujović |
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Vol. 2, No 1, 2016 |
A SURVEY OF THE ADEQUACY OF INSTRUCTIONAL FACILITIES FOR TEACHING PAINTING IN UNIVERSITIES IN SOUTH – SOUTH NIGERIA |
Abstract
PDF
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Manasseh Emamoke Imonikebe |
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Vol. 9, No 2, 2023 |
AESTHETICS OF DEEPFAKE ‒ SPHERE OF ART AND ENTERTAINMENT INDUSTRY |
Abstract
PDF
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ivana Stojanović Prelević, Zaaresh Zehra |
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Vol. 10, No 2, 2024 |
ANALYSIS OF FEMALE PORTRAITS FROM DIFFERENT PAINTING STYLES BY PABLO PICASSO IN LIGHT OF COGNITIVE THEORY OF AESTHETIC DECISION-MAKING |
Abstract
PDF
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Milica Đorđević |
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Vol. 9, No 1, 2023 |
ANALYTICAL AND INTERPRETATIVE PRESENTATION OF CHANT DE LINOS BY ANDRE JOLIVET |
Abstract
PDF
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Angelina Nikolić |
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Vol. 10, No 2, 2024 |
APPLICABILITY OF TRADITIONAL SONGS OF THE KOSOVO-POMORAVLJE DISTRICT IN SOLFÈGE TEACHING |
Abstract
PDF
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Nikola Janković, Igor Nikolić |
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Vol. 9, No 2, 2023 |
APPLICATION OF RENOVATION MODEL IN TEACHING OF HARMONY |
Abstract
PDF
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Nataša Nagorni Petrov, Danijela Stojanović |
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Vol. 7, No 2, 2021 |
ARISTOTLE ON THE ROLE OF MUSIC IN A POLIS |
Abstract
PDF
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Zoran Dimić |
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Vol. 10, No 1, 2024 |
ART EDUCATION AND AESTHETIC ASSESSMENT OF INDIVIDUAL SERIAL REPRODUCTIONS OF VISUAL STIMULI |
Abstract
PDF
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Nebojša M. Milićević, Ana Jovančević |
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Vol. 6, No 2, 2020 |
ART IN PIXELS |
Abstract
PDF
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Krasimira Borisova Drumeva |
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Vol. 4, No 1, 2018 |
ART THROUGH THE PRISM OF CULTURAL NEWS PROGRAM |
Abstract
PDF
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Marta Mitrović, Tatjana Vulić |
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Vol. 5, No 1, 2019 |
ARTISTIC CHALLENGES OF ALESSANDRO BARICCO - LITERATURE AND MUSIC |
Abstract
PDF
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Ljiljana Petrovic |
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Vol. 5, No 2, 2019 |
ARTISTIC CREATION AND THE SEMIOTIC PROCESS: “CREATION” AND “DISSOLUTION” OF REALITY |
Abstract
PDF
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Snežana Vidanović, Đorđe Vidanović |
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Vol. 3, No 2, 2017 |
AVALA: FROM A SYMBOLIC TOPOS OF SERBIA TO THE MONUMENT OF YUGOSLAVIA |
Abstract
PDF
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Tijana Borić |
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Vol. 9, No 2, 2023 |
BARICCO IN ROSSINI’S MIRROR |
Abstract
PDF
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Ljiljana Petrović |
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Vol. 8, No 2, 2022 |
BASIC CHARACTERISTICS OF INSTAGRAM POETRY |
Abstract
PDF
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Jovana Trajković, Nevena Anđelković |
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Vol. 2, No 1, 2016 |
BEAUTIFUL GORENJSKA MUSIC – PAST AND PRESENT |
Abstract
PDF
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Franc Križnar |
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Vol. 5, No 2, 2019 |
BENEFICIAL EFFECTS OF MUSIC ON EFL LEARNING |
Abstract
PDF
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Ljiljana Jankovic |
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Vol. 1, No 1, 2015 |
CASE STUDY: ARE MECHANICAL MUSICAL INSTRUMENTS APPLICABLE TO LIVE PERFORMANCE PRACTICE? |
Abstract
PDF
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Emily Baines |
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Vol. 4, No 1, 2018 |
CASE STUDY: READINGS OF CARL PHILIPP EMANUEL BACH'S WÜRTTEMBERG SONATA NO. 3 |
Abstract
PDF
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Bojana Šumanski |
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Vol. 9, No 1, 2023 |
CHARACTERISTICS OF MUSICAL LANGUAGE IN THE COMPOSITION CHANTS OF METOHIJA BY SVETISLAV BOŽIĆ |
Abstract
PDF
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Danijela Zdravić Mihailović, Marko Milenković |
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Vol. 2, No 1, 2016 |
CLASSICAL SONATA FORM IN SERBIAN MUSIC TEXTBOOKS |
Abstract
PDF
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Danijela Zdravic Mihailovic |
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Vol. 8, No 1, 2022 |
COME, YOU WHO ARE BLESSED BY MY FATHER ‒ THE LAST JUDGMENT IN THE MONASTERY OF ZRZE ‒ |
Abstract
PDF
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Andrijana Golac Čubrilo |
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Vol. 5, No 2, 2019 |
COMPARATIVE ANALYSIS OF THE CURRICULUM FOR THE SUBJECT SOLFEGGIO (EMS) IN SLOVENIA, MONTENEGRO, CROATIA AND SERBIA |
Abstract
PDF
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Milica Jovanović, Jelena Cvetković Crvenica |
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