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Issue |
Title |
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Vol. 5, No 1, 2019 |
TERMINUS – TERMINAL – TERMINOLOGY |
Abstract
PDF
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Milos Zatkalik |
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Vol. 4, No 2, 2018 |
THE AESTHETICS OF TELEVISION AND AESTHETIC EXPERIENCE |
Abstract
PDF
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Ivana Stojanovic Prelevic |
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Vol. 7, No 1, 2021 |
THE CHURCH HYMN “CHRIST RECEIVETH SINFUL MEN”: ITS RELATIONSHIP TO THE GERMAN ORIGINAL AND ITS ADAPTATION BY AMERICAN AND KOREAN HYMNALS |
Abstract
PDF
|
Sa Ra Park |
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Vol. 7, No 1, 2021 |
THE DEFECTS OF A REIGNING THEORY |
Abstract
PDF
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Dimitar Ninov |
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Vol. 7, No 1, 2021 |
THE DIALOGUE BETWEEN SOLOIST AND ORCHESTRA WITHIN THE CONCERTO PRESENTED THROUGH PEIRCE'S “THEORY OF SIGNS” |
Abstract
PDF
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Neda Nikolić |
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Vol. 7, No 1, 2021 |
THE EFFECT OF MUSICAL GESTURES ON AN AUDIENCE: EXAGGERATED OR DEADPAN GESTURES |
Abstract
PDF
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Aleksandar Kodela |
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Vol. 10, No 1, 2024 |
THE ELECTRONIC MUSICAL UNIVERSE OF THE COMPOSER DIMITRIJE BUŽAROVSKI |
Abstract
PDF
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Trena Jordanoska, Viktorija Kolarovska-Gmirja |
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Vol. 5, No 1, 2019 |
THE FUNCTION OF HARMONY IN MUSICAL DRAMATURGY: SONGS OF HADŽI TOMA AND ALIL IN THE MUSIC DRAMA KOŠTANA BY PETAR KONJOVIC |
Abstract
PDF
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Marko S. Milenkovic |
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Vol. 3, No 2, 2017 |
THE ILLUSTRATED ENGLISH-SERBIAN DICTIONARY OF MUSICAL TERMS AND PHRASES WITH SERBIAN-ENGLISH INDEX – THE LEXICOGRAPHIC STRUCTURE |
Abstract
PDF
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Snežana Drambarean, Dorin Drambarean |
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Vol. 8, No 1, 2022 |
THE IMPORTANCE OF LISTENING TO MUSIC IN THE MUSIC CLASSROOM |
Abstract
PDF
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Marija Ranđelović |
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Vol. 3, No 1, 2017 |
THE RELEVANCE OF THE VISUAL ARTS AND DESIGN CURRICULUM IN EDUCATION AND PRACTICE |
Abstract
PDF
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Osa-Francis Efe Obasuyi |
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Vol. 9, No 1, 2023 |
THE ROLE OF FINGERING IN CREATING MUSIC ON THE PIANO |
Abstract
PDF
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Marija Dinov |
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Vol. 8, No 2, 2022 |
THE USE AND THE TRANSCRIPTION OF THE STICHERON AT LITY ON THE MEETING OF OUR LORD FROM THE HILANDAR STICHERARIA |
Abstract
PDF
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Igor Zirojević |
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Vol. 7, No 1, 2021 |
THEATRE MANAGEMENT INVESTIGATION OF FEMALE PROMISCUITY: PREGNANCY AND ABORTION IMPACT ON UNIVERSITY EDUCATIONAL THEATRES IN NIGERIA |
Abstract
PDF
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Vincent O. Diakpomrere |
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Vol. 6, No 2, 2020 |
TREATMENT OF RECAPITULATION OF THE FIRST MOVEMENTS IN THE SONATA FORM OF BEETHOVEN’S STRING QUARTETS OP. 18 |
Abstract
PDF
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Danijela Zdravić-Mihailović |
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Vol. 10, No 1, 2024 |
TREATMENT OF THE POETIC TEXT OF CRNJANSKI AND CHARACTERISTICS OF THE HARMONIC LANGUAGE IN THE SUMATRA SONG BY SVETISLAV BOŽIĆ |
Abstract
PDF
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Marko Milenković, Ivana Milošević |
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Vol. 3, No 1, 2017 |
TWO HUNDRED YEARS OF MUSIC IN THE SLOVENIAN PUBLIC EDUCATION SYSTEM (1816–2016) |
Abstract
PDF
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Franc Križnar |
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Vol. 5, No 2, 2019 |
TYPES OF POLYPHONY IN DESIGNING THE COREOGRAPHY OF MIRSKA PJENIJA BY SRDJAN JAĆIMOVIĆ |
Abstract
PDF
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Danijela Stojanović, Bojana Milošević |
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Vol. 7, No 1, 2021 |
VISUAL REPRESENTATIONS OF NATIVE AMERICANS IN COLONIAL AMERICA |
Abstract
PDF
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Ana Kocic Stanković |
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Vol. 9, No 2, 2023 |
WHAT DOES THE WHO OWE TO CLASSICAL MUSIC? |
Abstract
PDF
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Nikola Komatović |
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Vol. 4, No 2, 2018 |
“UNEXPECTED ALTERNATION OF REALITY”: MAGICAL REALISM IN PAINTING AND LITERATURE |
Abstract
PDF
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Danijela Kostadinović |
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Vol. 2, No 1, 2016 |
„DESIGN YOUR ENGLISH, ENGLISH YOUR DESIGN” – PROJECT BASED LEARNING IN TEACHING ENGLISH TO PAINTING AND GRAPHIC DESIGN STUDENTS |
Abstract
PDF
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Snežana Drambarean, Dorin Drambarean |
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