| Issue | Title | |
| Vol. 7, No 1, 2021 | THE CHURCH HYMN “CHRIST RECEIVETH SINFUL MEN”: ITS RELATIONSHIP TO THE GERMAN ORIGINAL AND ITS ADAPTATION BY AMERICAN AND KOREAN HYMNALS | Abstract PDF |
| Sa Ra Park | ||
| Vol. 7, No 1, 2021 | THE DEFECTS OF A REIGNING THEORY | Abstract PDF |
| Dimitar Ninov | ||
| Vol. 7, No 1, 2021 | THE DIALOGUE BETWEEN SOLOIST AND ORCHESTRA WITHIN THE CONCERTO PRESENTED THROUGH PEIRCE'S “THEORY OF SIGNS” | Abstract PDF |
| Neda Nikolić | ||
| Vol. 7, No 1, 2021 | THE EFFECT OF MUSICAL GESTURES ON AN AUDIENCE: EXAGGERATED OR DEADPAN GESTURES | Abstract PDF |
| Aleksandar Kodela | ||
| Vol. 5, No 1, 2019 | THE FUNCTION OF HARMONY IN MUSICAL DRAMATURGY: SONGS OF HADŽI TOMA AND ALIL IN THE MUSIC DRAMA KOŠTANA BY PETAR KONJOVIC | Abstract PDF |
| Marko S. Milenkovic | ||
| Vol. 3, No 2, 2017 | THE ILLUSTRATED ENGLISH-SERBIAN DICTIONARY OF MUSICAL TERMS AND PHRASES WITH SERBIAN-ENGLISH INDEX – THE LEXICOGRAPHIC STRUCTURE | Abstract PDF |
| Snežana Drambarean, Dorin Drambarean | ||
| Vol. 8, No 1, 2022 | THE IMPORTANCE OF LISTENING TO MUSIC IN THE MUSIC CLASSROOM | Abstract PDF |
| Marija Ranđelović | ||
| Vol. 3, No 1, 2017 | THE RELEVANCE OF THE VISUAL ARTS AND DESIGN CURRICULUM IN EDUCATION AND PRACTICE | Abstract PDF |
| Osa-Francis Efe Obasuyi | ||
| Vol. 9, No 1, 2023 | THE ROLE OF FINGERING IN CREATING MUSIC ON THE PIANO | Abstract PDF |
| Marija Dinov | ||
| Vol. 8, No 2, 2022 | THE USE AND THE TRANSCRIPTION OF THE STICHERON AT LITY ON THE MEETING OF OUR LORD FROM THE HILANDAR STICHERARIA | Abstract PDF |
| Igor Zirojević | ||
| Vol. 7, No 1, 2021 | THEATRE MANAGEMENT INVESTIGATION OF FEMALE PROMISCUITY: PREGNANCY AND ABORTION IMPACT ON UNIVERSITY EDUCATIONAL THEATRES IN NIGERIA | Abstract PDF |
| Vincent O. Diakpomrere | ||
| Vol. 6, No 2, 2020 | TREATMENT OF RECAPITULATION OF THE FIRST MOVEMENTS IN THE SONATA FORM OF BEETHOVEN’S STRING QUARTETS OP. 18 | Abstract PDF |
| Danijela Zdravić-Mihailović | ||
| Online First | TREATMENT OF THE POETIC TEXT OF CRNJANSKI AND CHARACTERISTICS OF THE HARMONIC LANGUAGE IN THE SUMATRA SONG BY SVETISLAV BOŽIĆ | Abstract PDF |
| Marko Milenkovic, Ivana Milošević | ||
| Vol. 3, No 1, 2017 | TWO HUNDRED YEARS OF MUSIC IN THE SLOVENIAN PUBLIC EDUCATION SYSTEM (1816–2016) | Abstract PDF |
| Franc Križnar | ||
| Vol. 5, No 2, 2019 | TYPES OF POLYPHONY IN DESIGNING THE COREOGRAPHY OF MIRSKA PJENIJA BY SRDJAN JAĆIMOVIĆ | Abstract PDF |
| Danijela Stojanović, Bojana Milošević | ||
| Vol. 7, No 1, 2021 | VISUAL REPRESENTATIONS OF NATIVE AMERICANS IN COLONIAL AMERICA | Abstract PDF |
| Ana Kocic Stanković | ||
| Vol. 9, No 2, 2023 | WHAT DOES THE WHO OWE TO CLASSICAL MUSIC? | Abstract PDF |
| Nikola Komatović | ||
| Vol. 4, No 2, 2018 | “UNEXPECTED ALTERNATION OF REALITY”: MAGICAL REALISM IN PAINTING AND LITERATURE | Abstract PDF |
| Danijela Kostadinović | ||
| Vol. 2, No 1, 2016 | „DESIGN YOUR ENGLISH, ENGLISH YOUR DESIGN” – PROJECT BASED LEARNING IN TEACHING ENGLISH TO PAINTING AND GRAPHIC DESIGN STUDENTS | Abstract PDF |
| Snežana Drambarean, Dorin Drambarean | ||
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