| Issue | Title | |
| Vol. 7, No 2, 2021 | HARMONIC LANGUAGE AND ITS FUNCTION OF MUSICAL HUMOUR IN THE SEXTET K. 522 (A MUSICAL JOKE) OF W. A. MOZART | Abstract PDF |
| Marko S. Milenković, Marko P. Janković | ||
| Vol. 4, No 2, 2018 | IMPACT OF NEWSPAPER COVERAGE ON THEATRE PUBLICITY, POPULARITY AND PATRONAGE IN NIGERIA | Abstract PDF |
| Vincent Oghenvweta Diakpomrere | ||
| Vol. 6, No 1, 2020 | INSTRUMENTAL THEATER IN THE WORKS OF MAURICIO KAGEL, GEORGES APERGHIS AND HEINER GOEBBELS | Abstract PDF |
| Neda Nikolić | ||
| Vol. 6, No 1, 2020 | INTEGRAL ASPECTS OF HARMONIC HEARING IN THE PROCESS OF SIGHT-SINGING | Abstract PDF |
| Igor Nikolić, Slobodan Kodela | ||
| Vol. 2, No 2, 2016 | INTERACTION OF TRADITIONAL AND CONTEMPORARY MUSIC PEDAGOGY IN THE CASE OF MUSICAL HERITAGE OF NIŠ AND LESKOVAC REGION | Abstract PDF |
| Slobodan Kodela, Igor Nikolić | ||
| Vol. 8, No 2, 2022 | INTERPRETATION OF THE COMMEDIA DELL’ARTE CHARACTERS IN THE CARNAVAL, OP. 9, BY ROBERT SCHUMANN ‒ A PIANISTIC PERSPECTIVE | Abstract PDF |
| Stefan Sretić | ||
| Vol. 8, No 2, 2022 | ITALIANISMS IN CULTURE AND ART | Abstract PDF |
| Ljiljana Petrovic | ||
| Vol. 4, No 1, 2018 | KONAK IN GORNJA CRNUCA: THE COURT OF PRINCE MILOS OBRENOVIC | Abstract PDF |
| Tijana Borić | ||
| Vol. 3, No 1, 2017 | LOANWORDS IN ENGLISH CLASSICAL MUSIC THEORY | Abstract PDF |
| Snežana Drambarean, Dorin Drambarean | ||
| Vol. 1, No 1, 2015 | MACEDONIAN COMPOSERS DURING WORLD WAR TWO, REVISITED | Abstract PDF |
| Trena Jordanoska, Dimitrije Bužarovski | ||
| Vol. 5, No 1, 2019 | MEMORIES FROM PARIS: THREE PILGRIMAGES OF SERBIAN ARTISTS IN THE 1930s. | Abstract PDF |
| Ana Milošević | ||
| Vol. 6, No 2, 2020 | MODERN APPROACHES TO TEACHING SIGHT SINGING AND EAR TRAINING | Abstract PDF |
| Nico Schüler | ||
| Vol. 4, No 1, 2018 | MUSIC AND SUSTAINABILITY: ŠKOFJA LOKA, A PASSION PLAY IN AN INTERRELIGIOUS CONTEXT | Abstract PDF |
| Franc Križnar | ||
| Vol. 7, No 2, 2021 | MUSIC AND THE RADIO | Abstract PDF |
| Anka Mihajlov Prokopović, Marija Vujović | ||
| Vol. 1, No 1, 2015 | MUSIC DIRECTORS AND COMPOSERS IN BRITISH CINEMA OF THE 1930S: THE CREATIVE PROCESS AND WORKING MUSICAL RELATIONSHIPS | Abstract PDF |
| Alexis Bennett | ||
| Vol. 5, No 2, 2019 | MUSIC IN SLOVENIA BEFORE THE CENTURIES OF THE ŠKOFJA LOKA PASSION PLAY: 16TH AND 17TH CENTURY MUSIC IN THE DUCHY OF CARNIOLA | Abstract PDF |
| Franc Križnar | ||
| Vol. 3, No 2, 2017 | MUSIC PROGRAMS ON SERBIAN PUBLIC TV CHANNELS | Abstract PDF |
| Tatjana Vulić | ||
| Vol. 4, No 2, 2018 | MUSIC STUDENTS` PREFERENCES FOR WORLD MUSIC IN THE CONTEXT OF STIMULATING INTERCULTURAL EDUCATION | Abstract PDF |
| Sonja C. Cvetković, Miomira M. Đurđanović, Marija M. Đorđević | ||
| Vol. 2, No 2, 2016 | MUSICAL CREATIVITY – CONSTITUTIVE ELEMENT OR PRODUCT OF MUSICAL TALENT DEVELOPMENT | Abstract PDF |
| Igor Nikolić, Slobodan Kodela | ||
| Vol. 7, No 2, 2021 | MUSICAL SYNTAX IN CONTEMPORARY RESEARCH STUDIES OF SERBIAN MUSICAL THEORETICIANS | Abstract PDF |
| Danijela Zdravić Mihailović | ||
| Vol. 5, No 2, 2019 | NISVILLE IN THE MEDIA | Abstract PDF |
| Marta Mitrović, Tatjana Vulić | ||
| Vol. 6, No 1, 2020 | NURTURING CHOIR SINGING IN PRESCHOOL CHILDREN | Abstract PDF |
| Vesna Zdravković, Ivana Đorđević | ||
| Vol. 1, No 1, 2015 | ONE OLD GEORGIAN MUSICAL TERM | Abstract PDF |
| Magda Sukhiashvili | ||
| Vol. 5, No 1, 2019 | OPTIMISM-PESSIMISM AND EMOTIONAL REACTIONS TO UNPLEASANT MOVIE SCENES | Abstract PDF |
| Miljan Jović, Ana Jovančević | ||
| Vol. 6, No 1, 2020 | ORCHESTRAL PRACTICE IN NIŠ AFTER THE SECOND WORLD WAR – FROM THE MUSIC DEPARTMENT OF THE NIŠ NATIONAL THEATER TO THE NIŠ SYMPHONY ORCHESTRA (1953–1965) | Abstract PDF |
| Sonja Cvetković | ||
| 26 - 50 of 78 Items | << < 1 2 3 4 > >> | |